A Dead Hare and a Cooked Lobster on a Bench

William Henry Hunt is the artist behind "A Dead Hare and a Cooked Lobster on a Bench". Still Life, a short history: Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. The catalogue places it in Still Life. The format is landscape.

Buying "A Dead Hare and a Cooked Lobster on a Bench" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Still life works are appreciated for their intimacy and rich surface detail, which makes them especially suited to dining rooms, kitchens, studies, and other quieter parts of the home. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

English, 1790–1864

If you like the visual language of William Henry Hunt, explore more works by the same artist in our collection.