Zurück vom Friedhof (1946)

Max Beckmann is the artist behind "Zurück vom Friedhof", dated 1946. Context for 1946: After 1945 the centre of Western art activity shifted to New York, where Abstract Expressionism was followed by Pop art, Minimalism, and Conceptual art. Photography, film, and print culture became part of the language of art, and artists across the world developed their own responses to modernism. Drawings, a short history: Because line carries so much of the effect, drawings tend to reward close looking at the quality of the mark. Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. The catalogue places it in Drawings. The format is landscape.

Everything for "Zurück vom Friedhof" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.

German, 1884–1950

If you like the visual language of Max Beckmann, explore more works by the same artist in our collection.