Virgin and Child Enthroned (1516)

This page presents "Virgin and Child Enthroned" (1516), created by Girolamo da Santacroce. Context for 1516: Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. The sixteenth century includes the High Renaissance in Italy, the Mannerist generation that followed it, and the Northern Renaissance of artists such as Dürer, Holbein, and Bruegel. Religion in brief: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. It is listed in the Religion collection. The image is in portrait orientation.

"Virgin and Child Enthroned" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

Italian, 1490–1556

If you like the visual language of Girolamo da Santacroce, explore more works by the same artist in our collection.