The Annunciation (c. 1540)

Girolamo da Santacroce is the artist behind "The Annunciation", dated c. 1540. Historical background, c. 1540: Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. The sixteenth century includes the High Renaissance in Italy, the Mannerist generation that followed it, and the Northern Renaissance of artists such as Dürer, Holbein, and Bruegel. Background on Religion: Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. The catalogue places it in Religion. The format is landscape.

"The Annunciation" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Italian, 1490–1556

If you like the visual language of Girolamo da Santacroce, explore more works by the same artist in our collection.