Christ and the Sinner (1917)

Max Beckmann is the artist behind "Christ and the Sinner", dated 1917. The catalogue places it in Abstract. The format is portrait. Abstract in brief: Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. It emerged in the early twentieth century, when several artists in Europe and Russia developed non-representational painting during the 1910s. Context for 1917: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other.

Buying "Christ and the Sinner" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

German, 1884–1950

If you like the visual language of Max Beckmann, explore more works by the same artist in our collection.