The Thief (1912)

Théophile Alexandre Steinlen is the artist behind "The Thief", dated 1912. Context for 1912: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. It is listed in the Illustration collection. The image is in portrait orientation. Background on Illustration: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration.

Everything for "The Thief" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

Swiss, 1859–1923

If you like the visual language of Théophile Alexandre Steinlen, explore more works by the same artist in our collection.