The Harvesters (1889)

Emile Bernard is the artist behind "The Harvesters", dated 1889. Historical background, 1889: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Illustration. The format is landscape. Illustration, a short history: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters.

Buying "The Harvesters" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

French, 1868–1941

If you like the visual language of Emile Bernard, explore more works by the same artist in our collection.