The Expulsion from Paradise (1856)

"The Expulsion from Paradise" (1856) is a work by Julius Schnorr von Carolsfeld. Religion, a short history: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Historical background, 1856: The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The catalogue places it in Religion. The format is square.

Buying "The Expulsion from Paradise" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A square format is flexible and works well on its own or as part of a grid on a gallery wall. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

German, 1794–1872

If you like the visual language of Julius Schnorr von Carolsfeld, explore more works by the same artist in our collection.