The Departure (The Return) (1862)

"The Departure (The Return)" (1862) is a work by Charles François Daubigny. Landscape in brief: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Painters have used landscape to study light, weather, season, and the relation between people and place. Historical background, 1862: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The catalogue places it in Landscape. The format is landscape.

On onlly.art "The Departure (The Return)" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1817–1878

If you like the visual language of Charles François Daubigny, explore more works by the same artist in our collection.