Studie eines Tierschädels (1860)

Ferdinand Keller is the artist behind "Studie eines Tierschädels", dated 1860. The catalogue places it in Still Life. The format is portrait. Background on Still Life: Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. About the period around 1860: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form.

"Studie eines Tierschädels" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Still life works are appreciated for their intimacy and rich surface detail, which makes them especially suited to dining rooms, kitchens, studies, and other quieter parts of the home. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

German, 1842–1922

If you like the visual language of Ferdinand Keller, explore more works by the same artist in our collection.