Return of the Prodigal Son (1668)

Rembrandt van Rijn is the artist behind "Return of the Prodigal Son", dated 1668. The catalogue places it in Religion. The format is portrait. Religion in brief: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. About the period around 1668: The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders. In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles.

"Return of the Prodigal Son" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

Dutch, 1606–1669

If you like the visual language of Rembrandt van Rijn, explore more works by the same artist in our collection.