Prismes-18 (1931)

This page presents "Prismes-18" (1931), created by Emile-Allain Séguy. Historical background, 1931: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Abstract in brief: Abstract art moves away from depicting recognisable objects and relies on colour, line, shape, and surface instead. Movements of later decades, including Abstract Expressionism and geometric abstraction, carried non-representational ideas into new scales and materials. The catalogue places it in Abstract. The format is portrait.

Everything for "Prismes-18" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Abstract compositions work through rhythm, colour, and form, which makes them especially effective in modern interiors and in spaces that need a strong visual accent without a literal narrative. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

French, 1877–1951

If you like the visual language of Emile-Allain Séguy, explore more works by the same artist in our collection.