Nature morte au hareng (1936)

This page presents "Nature morte au hareng" (1936), created by Suzanne Valadon. Context for 1936: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Background on Still Life: Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. The catalogue places it in Still Life. The format is landscape.

"Nature morte au hareng" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1865–1938

If you like the visual language of Suzanne Valadon, explore more works by the same artist in our collection.