Nature morte à la tasse (1859)

Henri Fantin-Latour is the artist behind "Nature morte à la tasse", dated 1859. Background on Still Life: Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. Context for 1859: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The catalogue places it in Still Life. The format is landscape.

"Nature morte à la tasse" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

French, 1836–1904

If you like the visual language of Henri Fantin-Latour, explore more works by the same artist in our collection.