Mortlack (1738)

This page presents "Mortlack" (1738), created by Thomas Preist. Context for 1738: In Japan, ukiyo-e woodblock printing flourished in the Edo period and made colour prints a popular and affordable art form. The Enlightenment and the habit of the Grand Tour fed a wider interest in science, travel, antiquity, and natural history, and illustrators accompanied many expeditions. Background on Landscape: Painters have used landscape to study light, weather, season, and the relation between people and place. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. The catalogue places it in Landscape. The format is landscape.

Everything for "Mortlack" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.

English, 1740–1750

If you like the visual language of Thomas Preist, explore more works by the same artist in our collection.