Mönstre til navnesöm (1883)

Marie Rosing is the artist behind "Mönstre til navnesöm", dated 1883. Context for 1883: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The catalogue places it in Illustration. The format is landscape. Illustration in brief: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration.

Everything for "Mönstre til navnesöm" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Norwegian, 1831–1911

If you like the visual language of Marie Rosing, explore more works by the same artist in our collection.