Le Dernier Tennis (1897)

This page presents "Le Dernier Tennis" (1897), created by Félix Vallotton. Context for 1897: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Illustration in brief: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. The catalogue places it in Illustration. The format is portrait.

Everything for "Le Dernier Tennis" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

French, 1865–1925

If you like the visual language of Félix Vallotton, explore more works by the same artist in our collection.