Le concert (1853)

Auguste Serrure is the artist behind "Le concert", dated 1853. Figurative, a short history: Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Figurative art depicts people and recognisable scenes, and it has been central to European painting since antiquity. Historical background, 1853: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. The catalogue places it in Figurative. The format is portrait.

Everything for "Le concert" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

Belgian, 1825–1903

If you like the visual language of Auguste Serrure, explore more works by the same artist in our collection.