In the Omnibus (1890-1891)

This page presents "In the Omnibus" (1890-1891), created by Mary Cassatt. Background on Figurative: Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Over the centuries, painters have used the figure to express social standing, narrative, and emotion. About the period around 1890-1891: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Figurative. The format is portrait.

Everything for "In the Omnibus" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

American, 1844–1926

If you like the visual language of Mary Cassatt, explore more works by the same artist in our collection.