In The Harem (1894)

Frederick Arthur Bridgman is the artist behind "In The Harem", dated 1894. Context for 1894: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Figurative, a short history: Over the centuries, painters have used the figure to express social standing, narrative, and emotion. Figurative art depicts people and recognisable scenes, and it has been central to European painting since antiquity. The catalogue places it in Figurative. The format is landscape.

Everything for "In The Harem" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

American, 1847–1928

If you like the visual language of Frederick Arthur Bridgman, explore more works by the same artist in our collection.