Hochzeitsrosen I (1913)

Anton Faistauer is the artist behind "Hochzeitsrosen I", dated 1913. Still Life, a short history: Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. Context for 1913: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The catalogue places it in Still Life. The format is portrait.

Everything for "Hochzeitsrosen I" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

Austrian, 1887–1930

If you like the visual language of Anton Faistauer, explore more works by the same artist in our collection.