Further False Testimony from Reynard (1650–1675)

Allaert van Everdingen is the artist behind "Further False Testimony from Reynard", dated 1650–1675. The catalogue places it in Plants & Animals. The format is landscape. Background on Plants & Animals: Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. Context for 1650–1675: In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders.

Your purchase of "Further False Testimony from Reynard" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

Dutch, 1621–1675

If you like the visual language of Allaert van Everdingen, explore more works by the same artist in our collection.