Die schöne Melusine; VIII. Der Eidbruch (1869)

Moritz von Schwind is the artist behind "Die schöne Melusine; VIII. Der Eidbruch", dated 1869. Context for 1869: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Mythology. The format is landscape. Mythology in brief: Mythological painting draws on stories from Greek and Roman myth, and on other traditions such as Norse, Celtic, and Hindu narrative. Artists from the Renaissance to the Symbolists returned to myth to explore love, power, fate, and transformation.

"Die schöne Melusine; VIII. Der Eidbruch" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

German, 1804–1871

If you like the visual language of Moritz von Schwind, explore more works by the same artist in our collection.