Die Korbflechter (1872)

Max Liebermann is the artist behind "Die Korbflechter", dated 1872. Context for 1872: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Figurative. The format is landscape. Background on Figurative: Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Over the centuries, painters have used the figure to express social standing, narrative, and emotion.

Everything for "Die Korbflechter" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

German, 1847–1935

If you like the visual language of Max Liebermann, explore more works by the same artist in our collection.