Cherries (1871)

This page presents "Cherries" (1871), created by Robert Spear Dunning. About the period around 1871: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Background on Still Life: Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. The catalogue places it in Still Life. The format is landscape.

Everything for "Cherries" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

American, 1829–1905

If you like the visual language of Robert Spear Dunning, explore more works by the same artist in our collection.