Caritas (Charity) (1518 – 1618)

Bartolomeo Di Zanobi Di Benedetto Ghetti is the artist behind "Caritas (Charity)", dated 1518 – 1618. Religion in brief: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. About the period around 1518 – 1618: Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. The sixteenth century includes the High Renaissance in Italy, the Mannerist generation that followed it, and the Northern Renaissance of artists such as Dürer, Holbein, and Bruegel. The catalogue places it in Religion. The format is portrait.

Buying "Caritas (Charity)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Italian, 1536

If you like the visual language of Bartolomeo Di Zanobi Di Benedetto Ghetti, explore more works by the same artist in our collection.