Blanchisseuses (1896)

This page presents "Blanchisseuses" (1896), created by Théophile Alexandre Steinlen. Background on Illustration: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Historical background, 1896: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Illustration. The format is portrait.

Everything for "Blanchisseuses" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

Swiss, 1859–1923

If you like the visual language of Théophile Alexandre Steinlen, explore more works by the same artist in our collection.