Beside the Fire (1896)

Manuel Cusi y Ferret is the artist behind "Beside the Fire", dated 1896. Figurative in brief: Over the centuries, painters have used the figure to express social standing, narrative, and emotion. Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Historical background, 1896: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The catalogue places it in Figurative. The format is portrait.

Buying "Beside the Fire" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Spanish, 1857–1922

If you like the visual language of Manuel Cusi y Ferret, explore more works by the same artist in our collection.