At the Racecourse (The Races) (1861-1862)

Edgar Degas is the artist behind "At the Racecourse (The Races)", dated 1861-1862. The catalogue places it in Landscape. The format is landscape. Landscape, a short history: The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Painters have used landscape to study light, weather, season, and the relation between people and place. Historical background, 1861-1862: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do.

Buying "At the Racecourse (The Races)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

French, 1834–1917

If you like the visual language of Edgar Degas, explore more works by the same artist in our collection.