Asperococcus echinatus (1843-1853)

Anna Atkins is the artist behind "Asperococcus echinatus", dated 1843-1853. Plants & Animals, a short history: Images of plants and animals are valued both for the care of their observation and for their decorative appeal. Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Context for 1843-1853: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. The catalogue places it in Plants & Animals. The format is portrait.

Everything for "Asperococcus echinatus" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

English, 1799–1871

If you like the visual language of Anna Atkins, explore more works by the same artist in our collection.