Amaryllis und Flieder (1916)

Max Slevogt is the artist behind "Amaryllis und Flieder", dated 1916. Context for 1916: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The catalogue places it in Still Life. The format is portrait. Background on Still Life: Later artists, including Cézanne, Matisse, and Picasso, used humble still-life subjects to test ideas about space and form. Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries.

Everything for "Amaryllis und Flieder" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Still life works are appreciated for their intimacy and rich surface detail, which makes them especially suited to dining rooms, kitchens, studies, and other quieter parts of the home. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.

German, 1868–1932

If you like the visual language of Max Slevogt, explore more works by the same artist in our collection.