Adam und Eva (Paradies) (1895-1900)

"Adam und Eva (Paradies)" (1895-1900) is a work by Ludwig von Hofmann. Historical background, 1895-1900: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Religion, a short history: Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. It is listed in the Religion collection. The image is in square orientation.

Everything for "Adam und Eva (Paradies)" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A square format is flexible and works well on its own or as part of a grid on a gallery wall. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

German, 1861–1945

If you like the visual language of Ludwig von Hofmann, explore more works by the same artist in our collection.